Her striking images dove into knotty topics that unfurled ugly histories of racism, sexism, and class struggle—subjects that Amos engaged even when she knew they might be a liability. Related Categories.
Emma Amos, artist whose work explored racism and sexism, died May 20 of Alzheimer’s disease at home in Bedford, New Hampshire at the age of 83.
By appointment
For a brief period during the ’70s, Amos was an editor at According to Ryan Lee gallery’s announcement, Amos was also involved with the Guerrilla Girls, a legendary feminist collective that has torn into the art world’s misogyny through protests, writings, and activist artworks.
“And I wonder how come there’s nobody who knows who I am.”That work at MoMA has not been deaccessioned, however, and now the museum holds five other pieces by Amos. Amos left her involvement vague, once saying, “I was a member of a very famous clandestine women’s group that worked at night and did not ever go out without masks on our faces.”Emma Amos was born in 1937 in Atlanta, Georgia.
Amos’s works have been shown in numerous solo exhibitions and her works have been exhibited in museums throughout the USA. Emma Amos: It was 1963, and I was in New York working as a weaver/designer and studying for a Master’s in Art … Paintings. program at Antioch College in Yellow Springs, Ohio, where she continued an art education that later included studying abroad in London for a year. Jul 6th, 2020 .
To Be Black, Female and Fed Up With the Mainstream
Yet Amos holds an unusual position among her colleagues because she had been involved in a key group of black artists who had received press even during its day.That collective was the short-lived though massively influential group known as Spiral. "Amos, Emma." An article on Amos’ work written by Lucy Lippard appeared in the November/December 1991 issue of Art Papers.
Influenced by modern Western European art, Abstract Expressionism, the Civil Rights movement and feminist ideals, Amos explored the politics of culture and issues of racism, sexism and ethnocentrism through her paintings and works on paper.
An article on Amos’ work written by Lucy Lippard appeared in the November/December 1991 issue of So when I went to NYU, it seemed to me a great addition to meet this wonderful group, Spiral. “Every time I think about color, it’s a political statement,” she once told art historian Lucy Lippard.
Baby (diptych)
I wonder, is it still there?’ You know, I wonder if I’ve been deaccessioned,” she said.
by Victoria L. Valentine
“I wake up in the morning and say, ‘I have one piece at the Museum of Modern Art. With Norman Lewis, Romare Bearden, and Hale Woodruff among its members, Amos was the only woman invited to join, having been brought in by Woodruff, her former professor.
Because the Guerrilla Girls make public appearances in gorilla masks, the identities of its members have long been kept a secret.
Post-War American Art. by Derrick Adams
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Emma Amos Art