Please try again. Cavell puts forward a category of films at the start of the Talkies called the "comedy of remarriage." In addition to his work on scepticism, morality, and the intentions and meanings of ordinary language, the American philosopher wrote fascinatingly about cinema, arguing that film can reveal new ground for thinking through old philosophical problems.
Must We Mean What We Say? A very serious thoughtful look at the 'comedy of re-marriage' as depicted in seven classic 1930's/40's Hollywood comedies: 'It Happened One Night,' 'The Awful Truth,' 'Bringing Up Baby,' 'The Philadelphia Story,' 'His Girl Friday,' 'The Lady Eve,' and 'Adam's Rib.' I looked forward to reading this book because it covers a high point of romantic comedy. The 13-digit and 10-digit formats both work.Use the Amazon App to scan ISBNs and compare prices. Find all the books, read about the author, and more. 'Bringing Up Baby' and 'The Awful Truth' especially good. The Band Wagon is a 1953 American musical-comedy film directed by Vincente Minnelli, starring Fred Astaire and Cyd Charisse.It tells the story of an aging musical star who hopes a Broadway show will restart his career. Its subject is the Hollywood screwball comedies of the 1930s and 1940s, and it is first and foremost a serious work of film criticism, full of literary insight and philosophical speculation (the author is a well-known Harvard philosophy professor, now retired). You will need to have your synapses securely bolted on for this one. Cavell is the only major philosopher in the Anglo-American tradition who has made film a central concern of his work, and his work offers inspiration and new directions to the field of film studies. Here, Stanley Cavell names this new genre of American film―“the comedy of remarriage”―and examines seven classic movies for their cinematic techniques and for such varied themes as feminism, liberty, and interdependence. Screwball Comedy is my favorite movie genre, and that is entirely because of this book. This book is thirty years old, and was written before the days of readily available dvds to go and refer to; but it stands up well as the best (and maybe only) such treatment of this genre.
In this book, Catherine Wheatley draws Laughter lurks everywhere, bubbling continually beneath the surface of the discourse, and Cavell's love of the films (and, not incidentally, his love of Irene Dunne and Cary Grant and Katharine Hepburn and Spencer Tracy and Rosalind Russell and Clark Gable and Claudette Colbert) is all but palpable. Each of the seven chapters that follow contains an account of my experience of a film made in Hollywood between 1934 and 1949.
This extensive collection offers a substantially complete retrospective of Stanley Cavell's previously uncollected writings on film. Pursuits of Happiness: The Hollywood Comedy of Remarriage (Harvard Film Studies) Please try again Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. But it is also full of fun. The Star as Icon: Celebrity in the Age of Mass Consumption In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading.This shopping feature will continue to load items when the Enter key is pressed. As an adolescent, Cavell played lead alto saxophone as the youngest member of a black jazz band in Sacramento. The World Viewed: Reflections on the Ontology of Film, Enlarged Edition (Harvard Film Studies) The Runaway Bride: Hollywood Romantic Comedy of the 1930s Here, Stanley Cavell names this new genre of American film―“the comedy of remarriage”―and examines seven classic movies for their cinematic techniques and for such varied themes as feminism, liberty, and interdependence.Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. The result is a marriage of the serious and the playful that is, in my opinion, unique -- I know of no other work of literary or film criticism that so joyously celebrates its subject. United Kingdom Their female protagonists were strong, independent, and sophisticated. Romantic Comedy in Hollywood: From Lubitsch to Sturges
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