Frank's complete take on the Blues from the basics to new and exciting places beyond the traditional. Look really closely at the A7 and then the Eb7. A must for every guitarist.Pentatonic scales...we love them! Yes, you could do that but there is a scale that represents the move much better.The scale is Eb Lydian b7 or A Super Locrian depending on which root is used to visualize the chord change. This one-hourTarget Tones course shows you how to give your improvisations direction and how to target the right note at the right time to focus your improvisations.Gambale wants YOU to come to PEACE with music theory. That video was the first-ever video on the subject of Sweeping. I would like to receive news, tips and tricks, and other promotional material The pentatonic scale is such a chameleon. Let’s get a visual representation.Now, I’m going to make a lot of fuss over the two beat of Eb7 right before the 5th bar going into the solid IV chord D7. You may have already noticed that the only thing that changed was the bass note.A7 = A G and C# (Root, b7 and 3rd the essentials of a dominant 7 chord)Let’s look at these voicings up close. This one-hourTarget Tones course shows you how to give your improvisations direction and how to target the right note at the right time to focus your improvisations.Gambale wants YOU to come to PEACE with music theory. That video was the first-ever video on the subject of Sweeping. I will make the Eb7 into an Eb9 that will make it even clearer what is going on here.Notice how the G and C# swap roles between the A7 and Eb7. This lesson is especially designed for intermediate to advanced guitar players. Well because it’s a perfect opportunity to play the scale up a half step too. I’ll explain this later. Think about it, this 18+ hour course has all you will ever need to know in one place and laid out methodically & logically & )… yes… let me clarify.Ok, here it is informational gem. This is the ONLY theory course you will ever need, he guarantees that. This is sooo great!Bend time with your own hands and free yourself from the tyranny of the downbeat in Frank's amazing new course! Frank's complete take on the Blues from the basics to new and exciting places beyond the traditional. A Super Locrian is the 7th mode of Bb Melodic Minor. Both these chords have the same parent scale.That’s enough info for now, let’s put this scale into action and let’s start spicing up the Blues! Same as Bb Major scale with a minor 3rd. For now, let’s compare the scales.Notice that the only difference is that the Lydian b7 keeps the A natural, which, after all, is the original root key of this Blues progression, so, it actually sounds more connected and better retaining the A instead of playing an Ab.So now, the scale that Eb Lydian b7 comes from is Bb Melodic Minor scale which is 1, 2, b3, 4 , 5, 6, 7 from Bb. 10+ hours of logical, step-by-step lessons. A7#5b9 = Eb9 all but the roots.Now some might say, well, the scale for the Eb7 should simple be the Eb Mixolydian, or just play and Eb Blues scale for 2 beats and be done with it. Think about it, this 18+ hour course has all you will ever need to know in one place and laid out methodically and logically and it's FUN!! Learn from the King of Sweep. ! The 4th position is standard dominant chords such as 9th.
Save yourself years of trying to figure this stuff out, it's here! This and successive chapters are for you folks!For now, we’ll stay with the standard 3 chord Blues 12 Bar progression and see how we can spice that up.One of the first slippery and outside things I like to do is based on something that happens all the time while playing in the standard blues chord progression, but very few musicians act upon what the chords suggest when they play the single lines in a solo.Let me clarify what I’m talking about (what the heck is he talking about? Gambale is the undisputed King of Sweep. !Hi, unfortunately the file is only available in Guitar Pro 6 format.
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frank gambale lesson