Coincidently, the colour scheme of the bottle caps happens to be the same as that of kente cloth. My artworks should reflect this. ‘Who was I?’ he wondered. The undulating, sculptural folds seem to have a life of their own. On the fabric these symbols are repeated, but I isolated one and reproduced it in the middle of a wooden tray, as a way to reinforce its meaning.’Subsequently, El invented symbols of his own. El Anatsui (Ghanaian, b. In Sculpture I the artist has used a chain saw to divide and shape camel thorn wood, a wood that is native to Southern Africa. When he discovered that they were not his parents, it came as a shock, he recalls in Susan Vogel’s film. In 1990 and 2007, he participated to the Venice Biennale, cladding the walls of the Arsenale and Fortuny Palace with his dazzling sculptures.
He has cut wood with chainsaws and blackened it with acetylene torches. El Anatsui (born 1944) is a Ghanaian sculptor active for much of his career in Nigeria.
It made us richer to know about western and African art.’El was delighted when he discovered the indigenous Adinkra symbols, which represent concepts or aphorisms. ‘I was looking for something ethereal.
He has cut wood with chainsaws and blackened it with acetylene torches. In the process, you develop a language.’Aesthetically and in terms of meaning El seems to be driven by the properties of the material itself. Some of his works resemble woven cloths such as Anatsui said that in developing his art he looked for "something that had more relationship to me, as someone growing up in an African country".A Western art critic has said that Anatsui's bottle tops could be compared to "Anatsui's career grew gradually, starting in his home village of Anatsui has since exhibited his work around the world, including at the In 1995, Anatsui held his first solo exhibition outside of Anatsui was selected to be a member of the International Society for Education through Art (InSEA) world council in 1992 for his work in education. Most of the time, art has a huge element of play in it. Now I use that, so the bottle caps are bleached in the sun. It was there right from the beginning. ‘I believe in the element of change. The wood was re-purposed from charred timbers after a section of the nearby Falmouth Docks, originally built in 1860 to become an internationally significant port, was destroyed by fire. 1944). Today, curator Bisi Silva looks back on the career of the 72-year old sculptor in a biographical exhibit at the Prince Claus Fund Gallery in Amsterdam, with early works, newspaper clippings, the artist’s favorite books and music, drawings by his mentor Ucho Okeke, a film by African art expert Susan Vogel, and last but not least, some of his impressive malleable metal wall hangings.
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el anatsui wood sculpture